Welcome to Three Tune Tuesday
A Journey into the Soundtrack of the Past
Why Three Tune Tuesday?
Because it’s more than nostalgia—it’s a time machine. By listening closely to these century-old voices, we rediscover the roots of today’s music and the stories of the people who sang them. Each crackle and hiss carries history: resilience in hard times, laughter in the face of change, and artistry that still resonates.
Where to Listen
- Right here at Blind Skeleton, the podcast home of Three Tune Tuesday.
- On Apple Podcasts.
- Or wherever you enjoy your weekly dose of vintage sound
Whether you’re a history buff, a music lover, or simply curious, Three Tune Tuesday offers an inspiring window into the past. Tune in each week to experience the melodies and stories that laid the groundwork for the music we know and love today.
Browse All Episodes
Welcome to “Three Tune Tuesday,” where vintage sound meets timeless music in a weekly exploration of acoustically recorded gems. Each episode, join us on a unique auditory journey through different genres and eras, as we feature three carefully selected tracks that showcase the rich tapestry of music history. Whether you’re a seasoned audiophile or new to the world of vintage entertainment, there’s something here for everyone.
Dive into the heart of music with your host, a passionate collector who brings these tracks to life on period-appropriate phonographs, offering not just songs but an authentic listening experience. From jazz and blues to folk and beyond, our “theme of the week” format keeps every episode fresh and exciting, blending informative insights with a casual, engaging style.
“Three Tune Tuesday” is for music lovers and vintage enthusiasts alike, providing a rare glimpse into the past through the lens of a private collection that stands as a testament to the enduring power of music. Tune in weekly to rediscover the sounds that shaped generations, played as they were meant to be heard, on the machines that first brought them to the world’s ears.
This week’s Three Tune Tuesday heads south of the border for Cinco de Mayo, tracing the sound of Mexican national pride through three recordings from the acoustic era. We open with a happy accident of the calendar: Arthur Pryor’s Band recorded Franz von Suppe’s “Jolly Robbers Overture” on this very date in 1909, a piece of spirited Viennese theatricality that had been delighting concert audiences since 1867. From there we travel to Mexico City and July 1907, where Victor dispatched a recording team to capture the country’s musical culture on disc — baritone Manuel Romero Malpica delivering Miguel Lerdo de Tejada’s danza mexicana “No lo diré,” followed by the Banda de Policia de Mexico under Velino M. Preza playing his march “Viva Mexico!” Together, these three recordings offer a rare glimpse of how Mexico sounded to itself, and to the world, at the height of the Porfiriato.
