Welcome to Three Tune Tuesday
A Journey into the Soundtrack of the Past
Why Three Tune Tuesday?
Because it’s more than nostalgia—it’s a time machine. By listening closely to these century-old voices, we rediscover the roots of today’s music and the stories of the people who sang them. Each crackle and hiss carries history: resilience in hard times, laughter in the face of change, and artistry that still resonates.
Where to Listen
- Right here at Blind Skeleton, the podcast home of Three Tune Tuesday.
- On Apple Podcasts.
- Or wherever you enjoy your weekly dose of vintage sound
Whether you’re a history buff, a music lover, or simply curious, Three Tune Tuesday offers an inspiring window into the past. Tune in each week to experience the melodies and stories that laid the groundwork for the music we know and love today.
Browse All Episodes
Welcome to “Three Tune Tuesday,” where vintage sound meets timeless music in a weekly exploration of acoustically recorded gems. Each episode, join us on a unique auditory journey through different genres and eras, as we feature three carefully selected tracks that showcase the rich tapestry of music history. Whether you’re a seasoned audiophile or new to the world of vintage entertainment, there’s something here for everyone.
Dive into the heart of music with your host, a passionate collector who brings these tracks to life on period-appropriate phonographs, offering not just songs but an authentic listening experience. From jazz and blues to folk and beyond, our “theme of the week” format keeps every episode fresh and exciting, blending informative insights with a casual, engaging style.
“Three Tune Tuesday” is for music lovers and vintage enthusiasts alike, providing a rare glimpse into the past through the lens of a private collection that stands as a testament to the enduring power of music. Tune in weekly to rediscover the sounds that shaped generations, played as they were meant to be heard, on the machines that first brought them to the world’s ears.
This week’s Three Tune Tuesday is personal, political, and unapologetically defiant. When Donald Trump attempted to stage a partisan concert and seven of nine scheduled artists declined to participate upon learning its true nature, it was a reminder that saying “no” is one of the most powerful things an artist can do. That act of refusal — of drawing a line and refusing to let your name, your talent, or your reputation be used for something that conflicts with your convictions — is the thread that ties together this week’s three selections. We open with Eva Tanguay’s “I Don’t Care” (1922, Nordskog Records), the only recording ever made by the woman known as the Queen of Vaudeville, whose entire career was built on the radical act of not giving a damn what anyone thought of her. From there we move to Gus Van’s “Promise Me Everything, Never Get Anything Blues” (1923, Columbia), a Tin Pan Alley blues complaint about being strung along by someone who talks big and delivers nothing — a sentiment that needs no further explanation in the current moment. We close with Bert Williams’ “Never Mo’” (1920, Columbia), a song monolog by the greatest Black entertainer of the early twentieth century, a man who spent his entire career navigating a system designed to exploit him while denying him basic dignity. “Never mo’” — nevermore — is the final word, the line drawn in permanent ink. Sometimes the most important thing an artist can say is no. Sometimes the most eloquent gesture is a double middle finger.
Bert William’s Silent Movies
