Welcome to Three Tune Tuesday
A Journey into the Soundtrack of the Past
Why Three Tune Tuesday?
Because it’s more than nostalgia—it’s a time machine. By listening closely to these century-old voices, we rediscover the roots of today’s music and the stories of the people who sang them. Each crackle and hiss carries history: resilience in hard times, laughter in the face of change, and artistry that still resonates.
Where to Listen
- Right here at Blind Skeleton, the podcast home of Three Tune Tuesday.
- On Apple Podcasts.
- Or wherever you enjoy your weekly dose of vintage sound
Whether you’re a history buff, a music lover, or simply curious, Three Tune Tuesday offers an inspiring window into the past. Tune in each week to experience the melodies and stories that laid the groundwork for the music we know and love today.
Browse All Episodes
Welcome to “Three Tune Tuesday,” where vintage sound meets timeless music in a weekly exploration of acoustically recorded gems. Each episode, join us on a unique auditory journey through different genres and eras, as we feature three carefully selected tracks that showcase the rich tapestry of music history. Whether you’re a seasoned audiophile or new to the world of vintage entertainment, there’s something here for everyone.
Dive into the heart of music with your host, a passionate collector who brings these tracks to life on period-appropriate phonographs, offering not just songs but an authentic listening experience. From jazz and blues to folk and beyond, our “theme of the week” format keeps every episode fresh and exciting, blending informative insights with a casual, engaging style.
“Three Tune Tuesday” is for music lovers and vintage enthusiasts alike, providing a rare glimpse into the past through the lens of a private collection that stands as a testament to the enduring power of music. Tune in weekly to rediscover the sounds that shaped generations, played as they were meant to be heard, on the machines that first brought them to the world’s ears.
This week on Three Tune Tuesday, we throw open the barn door for “Animal House” — three records with critters in the title and not a serious thought among them. No grand theme, no hidden agenda. Just a bird, some chickens, and a bee, scattered across two decades of shellac.
We open with “On the Wing” (1904), a breakneck galop from Arthur Pryor’s Orchestra hiding behind the house name “Victor Dance Orchestra.” Pryor was Sousa’s star trombonist, and this one moves like something with feathers and a head start. Then the Six Brown Brothers turn their saxophones loose on “Chasing the Chickens” (1918), a fox-trot from vaudeville’s favorite reed-blowing clowns — back when the saxophone was still the funniest instrument in the room. We close with “Bee’s Knees” (1922), a Ted Lewis romp co-written by New Orleans cornetist Ray Lopez, the same man who’d helped copyright the first jazz record five years earlier. The title was brand-new slang that year: the very best of the very best.
