Welcome to Three Tune Tuesday
A Journey into the Soundtrack of the Past
Why Three Tune Tuesday?
Because it’s more than nostalgia—it’s a time machine. By listening closely to these century-old voices, we rediscover the roots of today’s music and the stories of the people who sang them. Each crackle and hiss carries history: resilience in hard times, laughter in the face of change, and artistry that still resonates.
Where to Listen
- Right here at Blind Skeleton, the podcast home of Three Tune Tuesday.
- On Apple Podcasts.
- Or wherever you enjoy your weekly dose of vintage sound
Whether you’re a history buff, a music lover, or simply curious, Three Tune Tuesday offers an inspiring window into the past. Tune in each week to experience the melodies and stories that laid the groundwork for the music we know and love today.
Browse All Episodes
Welcome to “Three Tune Tuesday,” where vintage sound meets timeless music in a weekly exploration of acoustically recorded gems. Each episode, join us on a unique auditory journey through different genres and eras, as we feature three carefully selected tracks that showcase the rich tapestry of music history. Whether you’re a seasoned audiophile or new to the world of vintage entertainment, there’s something here for everyone.
Dive into the heart of music with your host, a passionate collector who brings these tracks to life on period-appropriate phonographs, offering not just songs but an authentic listening experience. From jazz and blues to folk and beyond, our “theme of the week” format keeps every episode fresh and exciting, blending informative insights with a casual, engaging style.
“Three Tune Tuesday” is for music lovers and vintage enthusiasts alike, providing a rare glimpse into the past through the lens of a private collection that stands as a testament to the enduring power of music. Tune in weekly to rediscover the sounds that shaped generations, played as they were meant to be heard, on the machines that first brought them to the world’s ears.
Three Tune Tuesday marks 4/20 the only way it knows how: by reaching into the pre-1926 catalog and finding three recordings whose names, in combination, do all the work without saying anything at all. We open under the canopy — Renée Chemet’s violin drifting through Francis Thomé’s pastoral miniature “Under the Leaves,” recorded the day after 4/20 in 1924. Then the Victor Military Band crashes in with a one-step medley from Rudolf Friml’s Broadway smash High Jinks, whose plot concerns patients of a Dr. Thorne who take a mysterious Tibetan elixir that causes them to laugh and fall in love — and the show’s best-loved song is the one where they try to describe how it feels. We close with “Some Smoke,” a 1913 dance number by Sigmund Romberg, one year before he’d become Broadway’s most prolific house composer. Plausible deniability maintained throughout. Happy 4/20.
