This week on Three Tune Tuesday, we step into the witness box for “Justice in the Court of Song.” From Vernon Dalhart’s mournful The Prisoner’s Song to Billy Murray’s cheeky Prohibition jab How Are You Goin’ to Wet Your Whistle?, and Fred Hillebrand’s sly social satire Ain’t We Got Fun,…
Author: victor@blindskeleton.one
Three Tune Tuesday
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Boneapart’s Favourites
This week on Three Tune Tuesday, Boneapart shares three of his all-time favorite records: the exotic fox trot “Egyptland” by the Six Brown Brothers, the barnyard mayhem of “Livery Stable Blues” by the Original Dixieland Jass Band, and the thunderous “Anvil Chorus” from Verdi’s Il Trovatore, performed by the New…
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Labour Day
To mark Labour Day, we trace a line from quiet graft to collective thunder: Stanley Kirkby’s “The Farmer’s Boy” (1912, Beka-Grand-Record) opens with rural work ethic and upward hope; Alan Turner’s “The Village Blacksmith” (Victor) hammers out craft pride and debtless independence; and Chaliapin’s “Dubinushka” (HMV DA 621, 1924)…
Three Tune Tuesday
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International Relations
This week on Three Tune Tuesday, we’re taking a trip across borders with an “International Relations” theme — but not the kind fought with guns and flags. Instead, we follow how early 20th-century popular music imagined, borrowed, and sometimes outright distorted the sounds of “foreign” places. From the faux-exotic fox-trot…
Music we Learned from Cartoons
This week’s Three Tune Tuesday isn’t about concert halls or high culture. It’s about the tunes we first met through Bugs Bunny in drag, Elmer Fudd in a horned helmet, and Daffy Duck pounding a piano. Music we learned from cartoons. Fantasmagorie