{"id":3159,"date":"2025-12-09T14:15:02","date_gmt":"2025-12-09T14:15:02","guid":{"rendered":"https:\/\/blindskeleton.one\/?p=3159"},"modified":"2025-12-09T14:15:02","modified_gmt":"2025-12-09T14:15:02","slug":"kwanzaa","status":"publish","type":"post","link":"https:\/\/blindskeleton.one\/?p=3159","title":{"rendered":"Kwanzaa"},"content":{"rendered":"\n<iframe src=https:\/\/player.hubhopper.com\/WyJodHRwczovL2ZlZWRzLmh1YmhvcHBlci5jb20vZGU0ZmNlNGU3MWY3YzUwNDFjNWMzMGU5YzQxYzE0ZGUucnNzIix0cnVlLGZhbHNlLHRydWUsMzI5NjAyNzAsIiM0RjQ2RTUiLCJkZWZhdWx0IiwiZGVmYXVsdCJd?format=2&#038;lastUpdated=1765281662 style=\"width:100%;\" className=\"w-100 border-0 mt-3\" height=\"388px\" allow=\"clipboard-read; clipboard-write\"><\/iframe>\n\n\n\n<p>This week on Three Tune Tuesday, Boneapart has a birthday with a lighthearted nod to the passage of time before shifting into a thoughtful, Kwanzaa-season exploration of two remarkable early spiritual recordings. After the celebratory 1911 <em>Birthday Serenade<\/em>, the episode moves into Marian Anderson\u2019s 1923 performance of <em>Deep River<\/em>, a piece whose themes of faith, unity, and shared purpose resonate with several principles of Kwanzaa. The journey continues with the 1902 Dinwiddie Colored Quartet rendition of <em>Steal Away<\/em>, an intimate and historically rich glimpse into the spiritual tradition\u2019s roots. Together, the selections form a quietly powerful reflection on resilience, community, and the ways music carries meaning across generations.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Lyrics<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Deep River<\/h3>\n\n\n\n<p>Deep River,<br>My home is over Jordan.<br>Deep River, Lord.<br>I want to cross over into campground.<\/p>\n\n\n\n<p>Deep River.<br>My home is over Jordan.<br>Deep River, Lord,<br>I want to cross over into campground<\/p>\n\n\n\n<p>Oh, don&#8217;t You want to go,<br>To the Gospel feast;<br>That Promised Land,<br>Where all is peace?<\/p>\n\n\n\n<p>Oh, Deep River, Lord,<br>I want to cross over into campground.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week on Three Tune Tuesday, Boneapart has a birthday with a lighthearted nod to the passage of time before shifting into a thoughtful, Kwanzaa-season exploration of two remarkable early spiritual recordings. After the celebratory 1911 Birthday Serenade, the episode moves into Marian Anderson\u2019s 1923 performance of Deep River, a piece whose themes of faith, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3160,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-3159","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-three-tune-tuesday"],"_links":{"self":[{"href":"https:\/\/blindskeleton.one\/index.php?rest_route=\/wp\/v2\/posts\/3159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blindskeleton.one\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blindskeleton.one\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blindskeleton.one\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blindskeleton.one\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3159"}],"version-history":[{"count":0,"href":"https:\/\/blindskeleton.one\/index.php?rest_route=\/wp\/v2\/posts\/3159\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blindskeleton.one\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/blindskeleton.one\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blindskeleton.one\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blindskeleton.one\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}