{"id":2353,"date":"2024-11-12T14:20:20","date_gmt":"2024-11-12T14:20:20","guid":{"rendered":"https:\/\/blindskeleton.one\/?page_id=2353"},"modified":"2024-11-12T14:20:20","modified_gmt":"2024-11-12T14:20:20","slug":"three-tune-tuesday-podcast","status":"publish","type":"page","link":"https:\/\/blindskeleton.one\/","title":{"rendered":"Three Tune Tuesday"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Welcome to Three Tune Tuesday<\/h3>\n\n\n\n<p><strong>A Journey into the Soundtrack of the Past<\/strong><\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p><strong>Why <em>Three Tune Tuesday<\/em>?<\/strong><\/p>\n\n<p>Because it\u2019s more than nostalgia\u2014it\u2019s a time machine. By listening closely to these century-old voices, we rediscover the roots of today\u2019s music and the stories of the people who sang them. Each crackle and hiss carries history: resilience in hard times, laughter in the face of change, and artistry that still resonates.<\/p>\n<p><!-- \/wp:post-content --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p><strong>Where to Listen<\/strong><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<ul>\n<li>Right here at Blind Skeleton, the podcast home of <a title=\"\" href=\"https:\/\/blindskeleton.one\/blind-skeleton-podcasts\/\">Three Tune Tuesday<\/a>.<\/li>\n<li>On <a title=\"\" href=\"https:\/\/podcasts.apple.com\/us\/podcast\/blind-skeletons-three-tune-tuesday\/id1731933990\">Apple Podcasts<\/a>.<\/li>\n<li>Or wherever you enjoy your weekly dose of vintage sound<\/li>\n<\/ul>\n<p>Whether you&#8217;re a history buff, a music lover, or simply curious, <em>Three Tune Tuesday<\/em> offers an inspiring window into the past. Tune in each week to experience the melodies and stories that laid the groundwork for the music we know and love today.<\/p>\n<p>&nbsp;<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading --><\/p>\n<h2 class=\"wp-block-heading\">Browse All Episodes<\/h2>\n<p><!-- \/wp:heading --><\/p>\n\t\t\t<style type=\"text\/css\"><\/style>\n\t\t\t<div id=\"pp-podcast-6713\" class=\"pp-podcast has-header header-hidden has-featured playerview media-audio\"  data-teaser=\"\" data-elength=\"25\" data-eunit=\"\" data-ppsdata=\"{&quot;ppe-6713-1&quot;:{&quot;title&quot;:&quot;Food Glorious Food&quot;,&quot;description&quot;:&quot;&lt;p&gt;A hundred years before \\u201csupply chain\\u201d became a household word, people were already singing about it. This week we dig into three records \\u2014 1918 to 1926 \\u2014 that capture the same anxieties making headlines today: a real worldwide banana shortage that became the biggest novelty hit of 1923 (\\u201cYes! We Have No Bananas\\u201d), a folk song about the boll weevil that devastated Southern cotton farming, recorded by none other than poet Carl Sandburg, and an early piece of regional food pride dressed up as a love song (\\u201cEverything Is Peaches Down in Georgia\\u201d) that turns out to be a genuine ancestor of today\\u2019s \\u201cshop local\\u201d movement. The songs are silly. What\\u2019s behind them isn\\u2019t \\u2014 and we talk honestly about both.&lt;\\\/p&gt;\\n&lt;p&gt;A heads-up: our recording of \\u201cThe Boll Weevil\\u201d includes a racial slur common to the period, which we discuss directly rather than skip past. We felt it was worth keeping in the conversation rather than out of it.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;September 1, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/food-glorious-food&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/food-glorious-food.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/food-glorious-food_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;01:14:32&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1788263386,&quot;key&quot;:&quot;c4eb356781f551ffde1f001063eb68c6&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-2&quot;:{&quot;title&quot;:&quot;The Beach&quot;,&quot;description&quot;:&quot;&lt;p&gt;Grab your bathing suit\\u2014we\\u2019re heading to the beach as Americans heard it more than a century ago. Through \\u201cBy the Beautiful Sea,\\u201d \\u201cOn the Beach at Waikiki,\\u201d and \\u201cIn the Beautiful Seaside Air,\\u201d we\\u2019ll explore how the shoreline became a destination for recreation, romance, tropical fantasy, and good old-fashioned people-watching. Along the way, we\\u2019ll meet Billy Murray, hear the sound of Hawaiian steel guitar, and discover how the modern beach vacation was already taking shape by the 1910s.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;August 25, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/the-beach&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/the-beach.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/the-beach_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;01:11:19&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1787669200,&quot;key&quot;:&quot;e3dd17dc3d30cd39ea9a058b29633c3f&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-3&quot;:{&quot;title&quot;:&quot;Musical Interpretations&quot;,&quot;description&quot;:&quot;&lt;p&gt;Isolde\\u2019s final six minutes in Wagner\\u2019s Tristan und Isolde have been recorded again and again for over a century \\u2014 but no two performers have ever told it quite the same way. This week, Boneapart and Yulia compare three recordings of the \\u201cLiebestod,\\u201d Wagner\\u2019s famous \\u201clove-death,\\u201d made 23 years apart: an intimate 1903 reading sung in Italian by Budapest soprano Italia Vasquez, a mature 1914 performance from Amelia Pinto \\u2014 who was singing the actual staged role at La Scala under Toscanini that same year \\u2014 and a 1926 orchestral-only recording from the San Francisco Symphony under Alfred Hertz, a conductor once banned for life from Wagner\\u2019s own festival at Bayreuth. Same six minutes of music, three completely different ideas about what it needs to say \\u2014 and one of them doesn\\u2019t use a single word.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;August 18, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/musical-interpretations&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/musical-interpretations.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/musical-interpretations_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;01:20:19&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1787060477,&quot;key&quot;:&quot;eaafa56886d433dd65becdc9af5424ba&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-4&quot;:{&quot;title&quot;:&quot;Schubert&quot;,&quot;description&quot;:&quot;&lt;p&gt;Franz Schubert died at 31, but he left behind an almost unbelievable amount of music \\u2014 and no two performances of it sounded quite the same, even a century ago. This week we dig into three very different acoustic-era recordings that show just how far his music could stretch: an unfinished symphony movement so large it had to be split across multiple 78s, a spine-chilling four-character ballad sung by legendary contralto Ernestine Schumann-Heink, and a tiny two-minute piano miniature blown up into a full orchestral showpiece by Leopold Stokowski and the Philadelphia Orchestra. Along the way, we talk about what happens when a composer\\u2019s music becomes raw material for the people recording it \\u2014 and why \\u201cfaithful to Schubert\\u201d meant something different to every engineer, arranger, and performer who touched it.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;August 11, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/schubert&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/schubert.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/schubert_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;01:05:45&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1786435200,&quot;key&quot;:&quot;0d7cc24d401173dacc06bcf08e7b1981&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-5&quot;:{&quot;title&quot;:&quot;Strike!&quot;,&quot;description&quot;:&quot;&lt;p&gt;While Canada\\u2019s WestJet flight attendants walk the picket line this month over unpaid working hours, we\\u2019re digging back a hundred years to find out what the lead-up to a strike actually sounded like on record. This week\\u2019s three records were never meant as protest songs \\u2014 Charlie Poole\\u2019s \\u201cCan I Sleep in Your Barn Tonight, Mister?\\u201d is a wandering man\\u2019s plea for shelter, Vernon Dalhart\\u2019s \\u201cThe Chain Gang Song\\u201d is a convict\\u2019s lament, and Ernest V. Stoneman\\u2019s \\u201cSinking of the Titanic\\u201d is a disaster ballad about who got a lifeboat and who didn\\u2019t. But every one of them was cut by, or built around, someone who\\u2019d lived close to the hard end of the working world: a cotton-mill spinner, a coal miner, a family with real prison time behind them. No union rhetoric anywhere in these three \\u2014 just the daily grind that eventually makes people say enough.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;August 4, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/strike&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/strike.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/strike_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;01:23:18&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1785859200,&quot;key&quot;:&quot;3848f82448a3279ea710bf0395340a53&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-6&quot;:{&quot;title&quot;:&quot;Empire&quot;,&quot;description&quot;:&quot;&lt;p&gt;The Commonwealth Games began life as the British Empire Games, making them the perfect inspiration for this week\\u2019s Three Tune Tuesday. Through three fascinating recordings from the early twentieth century, we explore how music reflected the rise, confidence, and changing legacy of the British Empire. From Harry Lauder\\u2019s comforting vision of soldiers carrying home across the globe, to the triumphant strains of Land of Hope and Glory, and finally an Irish folk melody that speaks to a culture finding its own voice, these records reveal how popular music could celebrate power, shape public opinion, and preserve identity. Rather than asking whether empire was simply good or bad, this episode examines how ordinary people experienced it\\u2014and how a few minutes of music can open a window into one of history\\u2019s largest and most complex stories.&lt;\\\/p&gt;\\n&lt;h2&gt;Lyrics&lt;\\\/h2&gt;\\n&lt;h3&gt;The Foggy Dew&lt;\\\/h3&gt;\\n&lt;p&gt;As down the glen one Easter morn&lt;br \\\/&gt;\\nTo a city fair rode I.&lt;br \\\/&gt;\\nThere armoured lines of marching men&lt;br \\\/&gt;\\nIn squadrons passed me by.&lt;br \\\/&gt;\\nNo pipe did hum, no battle drum&lt;br \\\/&gt;\\nDid sound its loud tattoo&lt;br \\\/&gt;\\nBut the Angelus bell o\\u2019er the Liffy\\u2019s swell&lt;br \\\/&gt;\\nRang out in the foggy dew.&lt;\\\/p&gt;\\n&lt;p&gt;Right proudly high over Dublin town&lt;br \\\/&gt;\\nThey hung out that flag of war.&lt;br \\\/&gt;\\n\\u2019Twas better to die \\u2018neath an Irish sky&lt;br \\\/&gt;\\nThan at Suvla or Sud el Bar.&lt;br \\\/&gt;\\nAnd from the plains of Royal Meath&lt;br \\\/&gt;\\nStrong men came hurrying through;&lt;br \\\/&gt;\\nWhile Brittania\\u2019s sons with their long-range guns&lt;br \\\/&gt;\\nSailed in from the foggy dew.&lt;\\\/p&gt;\\n&lt;p&gt;oh the night fell black and the rifle\\u2019s crack&lt;br \\\/&gt;\\nmade perfidious Albion reel&lt;br \\\/&gt;\\nmid the leaded rail seven tongues of flame&lt;br \\\/&gt;\\ndid shine o\\u2019re the lines of steel&lt;br \\\/&gt;\\nby each shining blade a prayer was said&lt;br \\\/&gt;\\nthat to Ireland her sons be true&lt;br \\\/&gt;\\nwhen the morning broke still the war flag shook&lt;br \\\/&gt;\\nout its fold on the foggy dew&lt;\\\/p&gt;\\n&lt;p&gt;it was England bade our wild geese go&lt;br \\\/&gt;\\nThat small nations might be free.&lt;br \\\/&gt;\\nTheir lonely graves are by Suvla\\u2019s waves&lt;br \\\/&gt;\\nOn the fringe of the grey North Sea.&lt;br \\\/&gt;\\nBut had they died by Pearse\\u2019s side&lt;br \\\/&gt;\\nOr fought with Cathal Bruagh,&lt;br \\\/&gt;\\nTheir graves we\\u2019d keep where the Fenians sleep&lt;br \\\/&gt;\\n\\u2019Neath the shroud of the foggy dew.&lt;\\\/p&gt;\\n&lt;p&gt;but the bravest fell, and the requiem bell&lt;br \\\/&gt;\\nRang mournfully and clear&lt;br \\\/&gt;\\nFor those who died that Eastertide&lt;br \\\/&gt;\\nIn the springing of the year.&lt;br \\\/&gt;\\nAnd the world did gaze in deep amaze&lt;br \\\/&gt;\\nAt those fearless men and true&lt;br \\\/&gt;\\nWho bore the fight that freedom\\u2019s light&lt;br \\\/&gt;\\nMight shine through the foggy dew.&lt;\\\/p&gt;\\n&lt;p&gt;then back through that glen I rode again&lt;br \\\/&gt;\\nand my heart with grief was sore&lt;br \\\/&gt;\\nfor I parted then with valiant men&lt;br \\\/&gt;\\nwhom I never shall see more&lt;br \\\/&gt;\\nand back to and fro in dreams I\\u2019ll go&lt;br \\\/&gt;\\nand I\\u2019ll kneel and pray for you&lt;br \\\/&gt;\\noh slavery fled oh glorious dead&lt;br \\\/&gt;\\nwhen you fell in the foggy dew&lt;\\\/p&gt;\\n&lt;h3&gt;It\\u2019s Just Like Bein\\u2019 at Hame&lt;\\\/h3&gt;\\n&lt;p&gt;A Highland regiment was forced to start,&lt;br \\\/&gt;\\nTo a distant land across the foam;&lt;br \\\/&gt;\\nWhilst a poor old mither, with a heavy heart,&lt;br \\\/&gt;\\nWaited anxiously at home.&lt;br \\\/&gt;\\nSoon her sad face turned into a smiling one,&lt;br \\\/&gt;\\nWhen a letter came from across the sea&lt;br \\\/&gt;\\nFor it said \\u201cDon\\u2019t cry! Don\\u2019t you sigh!&lt;br \\\/&gt;\\nI\\u2019m as happy as can be\\u201d:&lt;\\\/p&gt;\\n&lt;p&gt;There\\u2019s a piper playing in the morning,&lt;br \\\/&gt;\\nAn auld Scotch tune so fine&lt;br \\\/&gt;\\nThere\\u2019s a tartan pladdie buckled on each laddie&lt;br \\\/&gt;\\nOh it\\u2019s just like Auld Lang Syne.&lt;br \\\/&gt;\\nI can hear them praising Bonnie Scotland,&lt;br \\\/&gt;\\nBonnie Scotland\\u2019s fame,&lt;br \\\/&gt;\\nSo don\\u2019t sigh dear, Am a\\u2019richt here&lt;br \\\/&gt;\\nIt\\u2019s just like being at hame.&lt;\\\/p&gt;\\n&lt;p&gt;The fierce fight lengthened and the months dragged on,&lt;br \\\/&gt;\\nWhilst the roll call shorten\\u2019d every day;&lt;br \\\/&gt;\\nThough they saw their comrades falling, one by one&lt;br \\\/&gt;\\nYet they bravely fought their way;&lt;br \\\/&gt;\\nFor the handful left had sworn to do or die,&lt;br \\\/&gt;\\nAnd with one long cheer they forged ahead;&lt;br \\\/&gt;\\nAnd a Highland lad fought like mad,&lt;br \\\/&gt;\\nAs mither proudly read:&lt;\\\/p&gt;\\n&lt;p&gt;The flag was planted beneath the scorching sun,&lt;br \\\/&gt;\\nWhere the white man\\u2019s rule will ever reign;&lt;br \\\/&gt;\\nAnd the brave Scots soldiers who had fought and won&lt;br \\\/&gt;\\nWere returning home again.&lt;br \\\/&gt;\\nAnd the Highland mither watched the passing ranks&lt;br \\\/&gt;\\nFor the face of one she loved so dear,&lt;br \\\/&gt;\\nAnd in frenzied joy, kissed her boy,&lt;br \\\/&gt;\\nAs he whispered in her ear:&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;July 28, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/empire&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/empire.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/empire_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;01:12:47&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1785222000,&quot;key&quot;:&quot;4a6941bfbc46d96b3600ce47b64046f2&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-7&quot;:{&quot;title&quot;:&quot;Languages&quot;,&quot;description&quot;:&quot;&lt;p&gt;This week, Three Tune Tuesday marks the anniversary of the discovery of the Rosetta Stone with three recordings celebrating the power of language. We begin with R\\u00f3\\u017ca Kio\\u0142bassa-Kwasigroch\\u2019s Polish \\u201cLaleczko ma,\\u201d recorded for Victor on July 21, 1911, before travelling to prewar Warsaw for Gershon Sirota\\u2019s stirring rendition of the Aramaic \\u201cKol Nidre.\\u201d Finally, Raquel Meller brings us the Spanish drama and irresistible pasodoble rhythm of \\u201cEl relicario.\\u201d Three languages, three musical traditions, and three fragile records that still speak to us more than a century later.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;July 25, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/languages&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/languages.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/languages_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;01:00:26&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1784998638,&quot;key&quot;:&quot;0fbfc7102d7b6c8d1a82b0093b3c107a&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-8&quot;:{&quot;title&quot;:&quot;Discovery and Gold&quot;,&quot;description&quot;:&quot;&lt;p&gt;Inspired by the documentary Dawson City: Frozen Time, this episode of Three Tune Tuesday follows a trail from gold-rush dreams to silent-film ghosts. Dawson City was built by people chasing treasure in the Yukon, but decades later another kind of treasure was discovered beneath the ground: hundreds of nitrate film reels, buried, forgotten, and preserved by the cold. This week\\u2019s songs move from romantic visions of gold, to the glamour of the moving pictures, to Arthur Pryor\\u2019s perfectly titled \\u201cFrozen Bill\\u201d \\u2014 because sometimes history survives not by careful planning, but by being accidentally shoved into nature\\u2019s freezer.&lt;\\\/p&gt;\\n&lt;p&gt;&lt;a href=\\&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=aMp8S7Ulhw0\\&quot;&gt;Dawson City: Frozen Time&lt;\\\/a&gt;&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;July 14, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/discovery-and-gold&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/discovery-and-gold.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/discovery-and-gold_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;50:19&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1784016000,&quot;key&quot;:&quot;4caa27502c20499180316f3bb6aaab8c&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-9&quot;:{&quot;title&quot;:&quot;The American Revolution&quot;,&quot;description&quot;:&quot;&lt;p&gt;In this special Independence Day episode of &lt;strong&gt;Three Tune Tuesday&lt;\\\/strong&gt;, we celebrate the 250th anniversary of American independence through three remarkable recordings that preserve the musical traditions of the nation\\u2019s earliest years. From the colonial dance tune &lt;strong&gt;Money Musk&lt;\\\/strong&gt;, to &lt;strong&gt;Durang Hornpipe Medley&lt;\\\/strong&gt;, honoring Revolutionary War veteran John Durang, to the stirring &lt;strong&gt;Washington Grays March&lt;\\\/strong&gt;, these recordings offer a unique glimpse into America\\u2019s musical heritage.&lt;\\\/p&gt;\\n&lt;p&gt;Join us as we explore the stories behind the music, the artists who preserved these traditions on early recordings, and the lasting legacy of the American Revolution\\u2014one tune at a time.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;July 7, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/the-american-revolution&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/the-american-revolution.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/the-american-revolution_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;01:14:44&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1783411200,&quot;key&quot;:&quot;623ed102986a49f99712dc1181b12847&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-10&quot;:{&quot;title&quot;:&quot;First Times&quot;,&quot;description&quot;:&quot;&lt;p&gt;This week, it\\u2019s personal. Boneapart skipped into new territory at the GNCC Arena Championship bonspiel \\u2014 a first time playing on Sunday, a first time in a championship final. Runners-up in the C final, sure, but the letter on the bracket isn\\u2019t the point. The point is he\\u2019d never been there before. This was his first. So here\\u2019s the question: what are some others?&lt;br \\\/&gt;\\nFirst, off-theme and by way of welcome, Tuchki nebesnyia \\u2014 \\u201cClouds of the Skies\\u201d \\u2014 a setting of Lermontov\\u2019s poem about clouds as eternal wanderers, composed by Alexander Dargomyzhsky and sung by Russian soprano Maria Mikhailova in 1903. The label names the composer and the singer but forgets the poet, so we\\u2019ll put Lermontov back where he belongs. Mikhailova made over 300 records and became one of the first singers anywhere to win her fame chiefly through the gramophone.&lt;br \\\/&gt;\\nThen the firsts. Chimes Blues, cut by King Oliver\\u2019s Creole Jazz Band for Gennett in 1923, is a tidy twelve-bar blues \\u2014 but listen to the twenty-four bars in the middle, the first recorded solo by a twenty-one-year-old second cornet named Louis Armstrong. Everything he\\u2019d become starts right there.&lt;br \\\/&gt;\\nAnd You May Be Lonesome, by Art Gillham, \\u201cThe Whispering Pianist,\\u201d for Columbia in 1925 \\u2014 credited as the first electrically recorded disc issued to the public. The first time a record caught a whisper, sung by the man who whispered for a living.&lt;br \\\/&gt;\\nThree firsts. What\\u2019s yours?&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;June 30, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/first-times&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/first-times.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/first-times_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;01:11:14&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1782825735,&quot;key&quot;:&quot;fe83645ce6de6d66c02629733a22092f&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-11&quot;:{&quot;title&quot;:&quot;Animal House&quot;,&quot;description&quot;:&quot;&lt;p&gt;This week on Three Tune Tuesday, we throw open the barn door for \\u201cAnimal House\\u201d \\u2014 three records with critters in the title and not a serious thought among them. No grand theme, no hidden agenda. Just a bird, some chickens, and a bee, scattered across two decades of shellac.&lt;br \\\/&gt;\\nWe open with \\u201cOn the Wing\\u201d (1904), a breakneck galop from Arthur Pryor\\u2019s Orchestra hiding behind the house name \\u201cVictor Dance Orchestra.\\u201d Pryor was Sousa\\u2019s star trombonist, and this one moves like something with feathers and a head start. Then the Six Brown Brothers turn their saxophones loose on \\u201cChasing the Chickens\\u201d (1918), a fox-trot from vaudeville\\u2019s favorite reed-blowing clowns \\u2014 back when the saxophone was still the funniest instrument in the room. We close with \\u201cBee\\u2019s Knees\\u201d (1922), a Ted Lewis romp co-written by New Orleans cornetist Ray Lopez, the same man who\\u2019d helped copyright the first jazz record five years earlier. The title was brand-new slang that year: the very best of the very best.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;June 22, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/animal-house&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/animal-house.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/animal-house_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;58:30&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1782172105,&quot;key&quot;:&quot;0c34ad83ce42a1df5a5305694f6fcad8&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-12&quot;:{&quot;title&quot;:&quot;Games&quot;,&quot;description&quot;:&quot;&lt;p&gt;Three Tune Tuesday plays tunes. So why does this week open with a man reciting a poem?&lt;\\\/p&gt;\\n&lt;p&gt;Because the best story about a game isn\\u2019t always sung.&lt;br \\\/&gt;\\nThe theme this week is \\u201cGames,\\u201d and we follow the stakes as they drain right out of one \\u2014 from everything riding on a single swing, through the swagger of a man who never loses, to an afternoon where the only thing on the line is a bag of peanuts.&lt;\\\/p&gt;\\n&lt;p&gt;We open at the ballpark in Mudville, where DeWolf Hopper throws his whole booming theatrical might into Ernest Thayer\\u2019s \\u201cCasey at the Bat\\u201d (Victor, 1909) and the mighty Casey goes down swinging in front of the entire town. Then we take to the road with Kelly Harrell\\u2019s \\u201cRovin\\u2019 Gambler\\u201d (Victor, 1925), the wandering player who wins every hand \\u2014 and the girl besides. We land back in the bleachers with Harvey Hindermeyer\\u2019s \\u201cTake Me Out to the Ball Game\\u201d (1908), one of the very first recordings ever made of it, where the game costs nothing and everybody goes home happy.&lt;\\\/p&gt;\\n&lt;p&gt;Hope, swagger, and Cracker Jack \\u2014 three spins of the shellac.&lt;\\\/p&gt;\\n&lt;p&gt;This week\\u2019s theme is inspired by our friends at &lt;a href=\\&quot;https:\\\/\\\/ancient.games\\&quot;&gt;https:\\\/\\\/ancient.games&lt;\\\/a&gt;.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;June 16, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/games&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/games.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/games_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;01:04:22&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1781613304,&quot;key&quot;:&quot;b21a9266cce6a28ebfc736ed569ea6f0&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-13&quot;:{&quot;title&quot;:&quot;D-Day&quot;,&quot;description&quot;:&quot;&lt;p&gt;D-Day happened in 1944. Three Tune Tuesday only plays music recorded before 1927. So how do you tell a D-Day story with songs that predate it by decades?&lt;\\\/p&gt;\\n&lt;p&gt;You tell the story underneath the story.&lt;\\\/p&gt;\\n&lt;p&gt;This week, we\\u2019re not playing war songs. We\\u2019re playing three recordings that trace the arc of what D-Day actually was \\u2014 a moral obligation, a human cost, and a hard-won liberation \\u2014 without a single reference to Normandy, the Atlantic Wall, or the Allies.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;June 9, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/d-day&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/d-day.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/d-day_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;59:56&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1780995600,&quot;key&quot;:&quot;748df1d97901637a3288d71da2d3dcd1&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-14&quot;:{&quot;title&quot;:&quot;Double Middles&quot;,&quot;description&quot;:&quot;&lt;p&gt;This week\\u2019s Three Tune Tuesday is personal, political, and unapologetically defiant. When Donald Trump attempted to stage a partisan concert and seven of nine scheduled artists declined to participate upon learning its true nature, it was a reminder that saying \\u201cno\\u201d is one of the most powerful things an artist can do. That act of refusal \\u2014 of drawing a line and refusing to let your name, your talent, or your reputation be used for something that conflicts with your convictions \\u2014 is the thread that ties together this week\\u2019s three selections. We open with Eva Tanguay\\u2019s \\u201cI Don\\u2019t Care\\u201d (1922, Nordskog Records), the only recording ever made by the woman known as the Queen of Vaudeville, whose entire career was built on the radical act of not giving a damn what anyone thought of her. From there we move to Gus Van\\u2019s \\u201cPromise Me Everything, Never Get Anything Blues\\u201d (1923, Columbia), a Tin Pan Alley blues complaint about being strung along by someone who talks big and delivers nothing \\u2014 a sentiment that needs no further explanation in the current moment. We close with Bert Williams\\u2019 \\u201cNever Mo\\u2019\\u201d (1920, Columbia), a song monolog by the greatest Black entertainer of the early twentieth century, a man who spent his entire career navigating a system designed to exploit him while denying him basic dignity. \\u201cNever mo\\u2019\\u201d \\u2014 nevermore \\u2014 is the final word, the line drawn in permanent ink. Sometimes the most important thing an artist can say is no. Sometimes the most eloquent gesture is a double middle finger.&lt;\\\/p&gt;\\n&lt;h2&gt;Bert William\\u2019s Silent Movies&lt;\\\/h2&gt;\\n&lt;ul&gt;\\n&lt;li&gt;&lt;a href=\\&quot;https:\\\/\\\/peertube.blindskeleton.one\\\/w\\\/fp7ckcLag37jA98WoaV7qX\\&quot;&gt;Fish (1916)&lt;\\\/a&gt;&lt;\\\/li&gt;\\n&lt;li&gt;&lt;a href=\\&quot;https:\\\/\\\/peertube.blindskeleton.one\\\/w\\\/eerzP8nEVUKSaJ8YdZaAne\\&quot;&gt;Natural Born Gambler (1915)&lt;\\\/a&gt;&lt;\\\/li&gt;\\n&lt;\\\/ul&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;June 2, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/double-middles&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/double-middles.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/double-middles_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;32:15&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1780405097,&quot;key&quot;:&quot;4b948924d70f4f5d7d7e2cfa3923c533&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-15&quot;:{&quot;title&quot;:&quot;The Billy Murray Story&quot;,&quot;description&quot;:&quot;&lt;p&gt;Today would have been his 149th birthday, and we are marking the occasion by telling the story of Billy Murray \\u2014 the Denver Nightingale, the Phonograph King, the Irish-American kid from Colorado who talked his way into a New York recording studio in 1903 and never really left. We open with a song he recorded on his own birthday in 1922, a comic gem that catches him at the height of his powers and right on the edge of the upheaval to come. From there we travel back to one of the defining recordings of the acoustic era \\u2014 a love song to the automobile that became so embedded in American culture it outlasted practically everything around it. And we close with the song that proved he still had it, a Jazz Age novelty that put him back on the charts at 47, even as the industry was quietly pulling the rug out from under the technique that had made him famous. Three songs, three decades, one remarkable career \\u2014 happy birthday, Billy.&lt;\\\/p&gt;\\n&lt;h1&gt;Lyrics&lt;\\\/h1&gt;\\n&lt;h2&gt;I Certainly Must Be in Love&lt;\\\/h2&gt;\\n&lt;p&gt;Mamey McShane was a dumb, dizzy dame that lived over on Hoist Avenue.&lt;br \\\/&gt;\\nShe couldn\\u2019t be beaten for dancing and eating those two things was all that she knew.&lt;br \\\/&gt;\\nShe met Jimmy Peter, a nifty cake eater, one night at the gasp at a stall.&lt;br \\\/&gt;\\nThat guy danced her lame, now the girl\\u2019s all kidmame, but here\\u2019s how she answers them all.&lt;br \\\/&gt;\\nSince I met that kid, I\\u2019m clean off a mean litchie, I certainly must be in love.&lt;br \\\/&gt;\\nI can\\u2019t do me work and I can\\u2019t sleep at night, I\\u2019m dreaming of moiders and boiklers and fights.&lt;br \\\/&gt;\\nThat guy\\u2019s got me vamped when he looks in me lamps, I feel like I\\u2019m in heaven above.&lt;br \\\/&gt;\\nWe go to a dance and get home about two, but I don\\u2019t get upstairs till the boys start to coo.&lt;br \\\/&gt;\\nWhen I stand in cold hallways and flight with the blue, gee, I certainly must be in love.&lt;br \\\/&gt;\\nJimmy\\u2019s not smart, but that guy\\u2019s got a heart that\\u2019s as big as a homemade mince pie.&lt;br \\\/&gt;\\nAnd gee, ain\\u2019t he jealous of those other fellas that speak to me when I pass by.&lt;br \\\/&gt;\\nBut he needn\\u2019t fear him, I wouldn\\u2019t go near him if they gave me diamonds and coins.&lt;br \\\/&gt;\\nI\\u2019m strong for me, Kim, and I\\u2019ll stick right to him as long as he don\\u2019t flight with girls.&lt;br \\\/&gt;\\nMe whole life is spoiled, I\\u2019m not long for this while, gee, I certainly must be in love.&lt;br \\\/&gt;\\nI carried his picture right next to me heart, I kissed it so much that it all fell apart.&lt;br \\\/&gt;\\nMe bottle bounced me, I can\\u2019t add three and three, there\\u2019s just one poison I\\u2019m thinking of.&lt;br \\\/&gt;\\nI jumped in the bathtub and scrubbed myself white, and now I\\u2019m convinced that me mind isn\\u2019t right.&lt;br \\\/&gt;\\nCause when I take a bath before Saturday night, gee, I certainly must be in love.&lt;\\\/p&gt;\\n&lt;h2&gt;In My Merry Oldsmobile&lt;\\\/h2&gt;\\n&lt;p&gt;Young Johnny Steele has an Oldsmobile&lt;br \\\/&gt;\\nHe loves a dear little girl&lt;br \\\/&gt;\\nShe is the queen of his gas machine&lt;br \\\/&gt;\\nShe has his heart in a whirl&lt;br \\\/&gt;\\nNow when they go for a spin, you know&lt;br \\\/&gt;\\nShe tries to learn the auto, so&lt;br \\\/&gt;\\nHe lets her steer, while he gets her ear&lt;br \\\/&gt;\\nAnd whispers soft and low\\u2026&lt;\\\/p&gt;\\n&lt;p&gt;Come away with me, Lucille&lt;br \\\/&gt;\\nIn my merry Oldsmobile&lt;br \\\/&gt;\\nDown the road of life we\\u2019ll fly&lt;br \\\/&gt;\\nAutomobubbling, you and I&lt;br \\\/&gt;\\nTo the church we\\u2019ll swiftly steal&lt;br \\\/&gt;\\nThen our wedding bells will peal&lt;br \\\/&gt;\\nYou can go as far as you like with me&lt;br \\\/&gt;\\nIn my merry Oldsmobile&lt;\\\/p&gt;\\n&lt;p&gt;They love to \\u201cspark\\u201d in the dark old park&lt;br \\\/&gt;\\nAs they go flying along&lt;br \\\/&gt;\\nShe says she knows why the motor goes&lt;br \\\/&gt;\\nThe \\u201csparker\\u201d is awfully strong&lt;br \\\/&gt;\\nEach day they \\u201cspoon\\u201d to the engine\\u2019s tune&lt;br \\\/&gt;\\nTheir honeymoon will happen soon&lt;br \\\/&gt;\\nHe\\u2019ll win Lucille with his Oldsmobile&lt;br \\\/&gt;\\nAnd then he\\u2019ll fondly croon\\u2026&lt;\\\/p&gt;\\n&lt;p&gt;Come away with me, Lucille&lt;br \\\/&gt;\\nIn my merry Oldsmobile&lt;br \\\/&gt;\\nDown the road of life we\\u2019ll fly&lt;br \\\/&gt;\\nAutomobubbling, you and I&lt;br \\\/&gt;\\nTo the church we\\u2019ll swiftly steal&lt;br \\\/&gt;\\nThen our wedding bells will peal&lt;br \\\/&gt;\\nYou can go as far as you like with me&lt;br \\\/&gt;\\nIn my merry Oldsmobile&lt;\\\/p&gt;\\n&lt;h2&gt;Don\\u2019t Bring Lulu&lt;\\\/h2&gt;\\n&lt;p&gt;Go bring Lulu! Go bring Lulu!&lt;br \\\/&gt;\\nYour presence is requested, wrote little Johnny White.&lt;br \\\/&gt;\\nBut with this invitation, there is a stipulation.&lt;br \\\/&gt;\\nWhen you attend this party, you all be treated right.&lt;br \\\/&gt;\\nBut there\\u2019s a wild and wooly woman you boys can\\u2019t invite.&lt;br \\\/&gt;\\nYou can bring Pearl, she\\u2019s a darn nice girl, but don\\u2019t bring Lulu.&lt;br \\\/&gt;\\nYou can bring Rose with a turned up nose, but don\\u2019t bring Lulu.&lt;br \\\/&gt;\\nLulu always wants to do what the folks don\\u2019t want her to do.&lt;br \\\/&gt;\\nWhen she\\u2019s brought herself around, London Bridge is falling down.&lt;br \\\/&gt;\\nYou can bring cake for a porterhouse steak, but don\\u2019t bring Lulu.&lt;br \\\/&gt;\\nLulu gets blue and goes coo-coo like the clock upon the shelf.&lt;br \\\/&gt;\\nShe\\u2019s the kind of smartie, greats up every party.&lt;br \\\/&gt;\\nColorful Lulu, don\\u2019t bring Lulu, I\\u2019ll bring her myself.&lt;br \\\/&gt;\\nLast week we had a party, a real heist on the fair.&lt;br \\\/&gt;\\nAnd then along came Lulu, wild as any Zulu.&lt;br \\\/&gt;\\nShe started into Charlton and howled the voices there.&lt;br \\\/&gt;\\nBut when she did the hula-hula, then she got the air.&lt;br \\\/&gt;\\nYou can bring Flo, her dad\\u2019s got dough, but don\\u2019t bring Lulu.&lt;br \\\/&gt;\\nYou can bring Milk, she\\u2019s an awful kill, but don\\u2019t bring Lulu.&lt;br \\\/&gt;\\nLulu has the reddest hair, auburn ear and tenor there.&lt;br \\\/&gt;\\nHow can we boys keep our heads full so wild when they see red?&lt;br \\\/&gt;\\nYou can bring peas and crullers and cheese, but don\\u2019t bring Lulu.&lt;br \\\/&gt;\\nWhen she gets door and slams the door, the plates lie off the shelf.&lt;br \\\/&gt;\\nShe can make a fella wild on Sapperella.&lt;br \\\/&gt;\\nColorful Lulu, don\\u2019t bring Lulu, she\\u2019ll come here herself.&lt;br \\\/&gt;\\nDon\\u2019t bring Lulu.&lt;br \\\/&gt;\\nDon\\u2019t bring Lulu.&lt;br \\\/&gt;\\nYou can bring ham and crackers and jam, but don\\u2019t bring Lulu.&lt;br \\\/&gt;\\nLulu goes wild and when she\\u2019s wild she climbs up on the shelf.&lt;br \\\/&gt;\\nShe can make a passer, be a dancing master.&lt;br \\\/&gt;\\nColorful Lulu, don\\u2019t bring Lulu, I\\u2019ll bring her myself.&lt;br \\\/&gt;\\nI\\u2019ll bring her myself.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;May 25, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/the-billy-murray-story&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/the-billy-murray-story.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/the-billy-murray-story_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;52:04&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1779745079,&quot;key&quot;:&quot;19831a747b7495edd99e1191af1dedf0&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-16&quot;:{&quot;title&quot;:&quot;Victoria Day&quot;,&quot;description&quot;:&quot;&lt;p&gt;This week\\u2019s Three Tune Tuesday takes us back to the origins of Victoria Day \\u2014 not the long weekend, not the fireworks, but the woman herself. We open with an \\u201cOn This Day\\u201d entry: \\u201cJune Brought the Roses,\\u201d recorded by contralto Marcia Freer on May 19, 1924, one hundred years to the day before this episode was released \\u2014 nothing to do with Queen Victoria, but everything to do with the warmth her holiday signals for Canadians. From there we travel to Montreal in 1902, where the Kilties Band of Canada pressed \\u201cThe Maple Leaf Forever\\u201d onto a maroon disc with a tartan paper label for the Berliner Gramophone Company \\u2014 one of the rarest and most distinctly Canadian objects the early recording industry produced. We close with the song that was Victoria herself: Ian Colquhoun\\u2019s \\u201cSoldiers of the Queen,\\u201d captured in London around 1900, the sound of an empire that believed without question in its own permanence. A New Zealand newspaper noted in 1901 that the death of Queen Victoria had rather interfered with the popularity of the song. It had. Nothing could have replaced her.&lt;\\\/p&gt;\\n&lt;h2&gt;Berliner Tartan Label&lt;\\\/h2&gt;\\n&lt;p&gt;&lt;img src=\\&quot;https:\\\/\\\/blindskeleton.one\\\/wp-content\\\/uploads\\\/tartan_label.png\\&quot; alt=\\&quot;\\&quot; \\\/&gt;&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;May 19, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/victoria-day&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/victoria-day.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/victoria-day_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;01:01:03&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1779193283,&quot;key&quot;:&quot;1bc3e5fe0456aee2a8e91a4f61b9d83f&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-17&quot;:{&quot;title&quot;:&quot;Preventative Health (The Purge)&quot;,&quot;description&quot;:&quot;&lt;p&gt;This week on Three Tune Tuesday, we\\u2019re thinking about health \\u2014 specifically, the kind of health check that requires preparation, a gown, and a level of personal exposure that no one particularly looks forward to. We open with a piece of good timing: \\u201cBy the Saskatchewan,\\u201d recorded on this very date in 1911 by baritone Andrea Sarto, taken from the hit Broadway musical comedy The Pink Lady, with music by Ivan Caryll \\u2014 who, as it happens, was also born on May 12, making this a double centenary of sorts. From there we move to Rosa Henderson\\u2019s 1923 Victor recording of \\u201cGood Woman\\u2019s Blues,\\u201d a spare and dignified classic blues performance written by George Butts and Hulbert Esmere, in which a woman of considerable self-possession states her case plainly, accompanied by nothing more than Wendell Talbert\\u2019s piano. We close with Dame Clara Butt, whose vast contralto fills Samuel Liddle\\u2019s setting of Henry Francis Lyte\\u2019s immortal hymn \\u201cAbide with Me\\u201d \\u2014 written by Lyte on his deathbed in 1847 and first sung at his funeral. It is, in short, a playlist assembled in the spirit of a colonoscopy: you go in hoping for reassurance, you endure what must be endured, and you emerge, if all goes well, with a clean bill of health and a renewed appreciation for being upright.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;May 12, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/preventative-health-the-purge&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/preventative-health-the-purge.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/preventative-health-the-purge_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;49:25&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1778583600,&quot;key&quot;:&quot;f996a45632c85297ed573fd3b3c4f1be&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-18&quot;:{&quot;title&quot;:&quot;Cinco de Mayo&quot;,&quot;description&quot;:&quot;&lt;p&gt;This week\\u2019s Three Tune Tuesday heads south of the border for Cinco de Mayo, tracing the sound of Mexican national pride through three recordings from the acoustic era. We open with a happy accident of the calendar: Arthur Pryor\\u2019s Band recorded Franz von Suppe\\u2019s \\u201cJolly Robbers Overture\\u201d on this very date in 1909, a piece of spirited Viennese theatricality that had been delighting concert audiences since 1867. From there we travel to Mexico City and July 1907, where Victor dispatched a recording team to capture the country\\u2019s musical culture on disc \\u2014 baritone Manuel Romero Malpica delivering Miguel Lerdo de Tejada\\u2019s danza mexicana \\u201cNo lo dir\\u00e9,\\u201d followed by the Banda de Policia de Mexico under Velino M. Preza playing his march \\u201cViva Mexico!\\u201d Together, these three recordings offer a rare glimpse of how Mexico sounded to itself, and to the world, at the height of the Porfiriato.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;May 5, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/cinco-de-mayo&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/cinco-de-mayo.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/cinco-de-mayo_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;55:10&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1777975200,&quot;key&quot;:&quot;af65cc4fb2c102f4c4987c86c79889b3&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-19&quot;:{&quot;title&quot;:&quot;April&quot;,&quot;description&quot;:&quot;&lt;p&gt;April has a sound, and this week\\u2019s Three Tune Tuesday goes looking for it across three recordings that span a decade of the early phonograph era. We open with Charles Harrison\\u2019s 1922 Victor recording of \\u201cApril Showers,\\u201d the optimistic Tin Pan Alley standard that Al Jolson had introduced just months earlier on Broadway in Bombo \\u2014 a song built on the oldest of consolations, that rain makes the flowers grow. From there we move into stranger, more beguiling territory with Sybil Sanderson Fagan\\u2019s 1923 Vocalion recording of \\u201cApril Sighs,\\u201d a whistling solo that trades Harrison\\u2019s warm tenor reassurance for something altogether more elusive \\u2014 an April mood rendered not in words at all, but in pure breath and tone. We close with the oldest recording in the set, the Emerson Military Band\\u2019s 1918 take on \\u201cApril Smiles,\\u201d a waltz originally composed by the French Maurice Depret and arranged for band by the Canadian Louis-Philippe Laurendeau \\u2014 the man who also gave the world its definitive circus clown theme. Showers, sighs, and smiles: three ways April announces itself, caught in shellac before the world had quite decided what recorded music was supposed to be.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;April 28, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/april&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/april.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/april_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;52:54&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1777374000,&quot;key&quot;:&quot;472873ed6636883d818e97181107a93b&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;ppe-6713-20&quot;:{&quot;title&quot;:&quot;420&quot;,&quot;description&quot;:&quot;&lt;p&gt;Three Tune Tuesday marks 4\\\/20 the only way it knows how: by reaching into the pre-1926 catalog and finding three recordings whose names, in combination, do all the work without saying anything at all. We open under the canopy \\u2014 Ren\\u00e9e Chemet\\u2019s violin drifting through Francis Thom\\u00e9\\u2019s pastoral miniature \\u201cUnder the Leaves,\\u201d recorded the day after 4\\\/20 in 1924. Then the Victor Military Band crashes in with a one-step medley from Rudolf Friml\\u2019s Broadway smash High Jinks, whose plot concerns patients of a Dr. Thorne who take a mysterious Tibetan elixir that causes them to laugh and fall in love \\u2014 and the show\\u2019s best-loved song is the one where they try to describe how it feels. We close with \\u201cSome Smoke,\\u201d a 1913 dance number by Sigmund Romberg, one year before he\\u2019d become Broadway\\u2019s most prolific house composer. Plausible deniability maintained throughout. Happy 4\\\/20.&lt;\\\/p&gt;\\n&quot;,&quot;author&quot;:&quot;Boneapart and Yulia&quot;,&quot;date&quot;:&quot;April 21, 2026&quot;,&quot;link&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/@threetunetuesday\\\/episodes\\\/402&quot;,&quot;src&quot;:&quot;https:\\\/\\\/op3.dev\\\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\\\/castopod.blindskeleton.one\\\/audio\\\/@threetunetuesday\\\/402.mp3&quot;,&quot;featured&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/402_feed.png&quot;,&quot;featured_id&quot;:0,&quot;mediatype&quot;:&quot;audio&quot;,&quot;season&quot;:0,&quot;categories&quot;:[],&quot;duration&quot;:&quot;45:31&quot;,&quot;episodetype&quot;:&quot;full&quot;,&quot;source_mime&quot;:&quot;audio\\\/mpeg&quot;,&quot;source_format&quot;:&quot;mp3&quot;,&quot;is_hls&quot;:0,&quot;timestamp&quot;:1776803155,&quot;key&quot;:&quot;f7324414ad97fb2cf545cf3190acacec&quot;,&quot;fset&quot;:&quot;&quot;,&quot;fratio&quot;:1},&quot;load_info&quot;:{&quot;loaded&quot;:20,&quot;displayed&quot;:10,&quot;offset&quot;:0,&quot;maxItems&quot;:129,&quot;src&quot;:&quot;b7887c5eb171816e9ae70e7eddbc3e53&quot;,&quot;step&quot;:10,&quot;sortby&quot;:&quot;sort_date_desc&quot;,&quot;filterby&quot;:&quot;&quot;,&quot;fixed&quot;:&quot;&quot;,&quot;args&quot;:{&quot;imgurl&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/cover_feed.png&quot;,&quot;imgset&quot;:&quot;&quot;,&quot;display&quot;:&quot;&quot;,&quot;hddesc&quot;:0,&quot;hdfeat&quot;:0,&quot;oricov&quot;:&quot;https:\\\/\\\/castopod.blindskeleton.one\\\/media\\\/podcasts\\\/threetunetuesday\\\/cover_feed.png&quot;,&quot;elength&quot;:25}},&quot;rdata&quot;:{&quot;permalink&quot;:&quot;https:\\\/\\\/blindskeleton.one&quot;,&quot;fprint&quot;:&quot;b7887c5eb171816e9ae70e7eddbc3e53&quot;,&quot;from&quot;:&quot;feedurl&quot;,&quot;elen&quot;:25,&quot;eunit&quot;:&quot;&quot;,&quot;teaser&quot;:&quot;&quot;,&quot;title&quot;:&quot;Blind Skeleton&#8217;s Three Tune Tuesday&quot;,&quot;autoplay&quot;:&quot;&quot;}}\"><div class=\"pp-podcast__wrapper\"><div class=\"pp-podcast__info pod-info\"><div class=\"pod-info__header pod-header\"><div class=\"pod-header__image\"><div class=\"pod-header__image-wrapper\"><img decoding=\"async\" class=\"podcast-cover-image\" src=\"https:\/\/castopod.blindskeleton.one\/media\/podcasts\/threetunetuesday\/cover_feed.png\" srcset=\"\" sizes=\"(max-width: 640px) 100vw, 25vw\" alt=\"Blind Skeleton&#8217;s Three Tune Tuesday\"><\/div><span class=\"pod-header__image-style\" style=\"display: block; width: 100%; padding-top: 100%\"><\/div><div class=\"pod-header__items pod-items\"><div class=\"pod-items__title\">Blind Skeleton&#8217;s Three Tune Tuesday<\/div><div class=\"pod-items__desc\"><p>Welcome to \u201cThree Tune Tuesday,\u201d where vintage sound meets timeless music in a weekly exploration of acoustically recorded gems. Each episode, join us on a unique auditory journey through different genres and eras, as we feature three carefully selected tracks that showcase the rich tapestry of music history. Whether you\u2019re a seasoned audiophile or new to the world of vintage entertainment, there\u2019s something here for everyone.<\/p>\n<p>Dive into the heart of music with your host, a passionate collector who brings these tracks to life on period-appropriate phonographs, offering not just songs but an authentic listening experience. From jazz and blues to folk and beyond, our \u201ctheme of the week\u201d format keeps every episode fresh and exciting, blending informative insights with a casual, engaging style.<\/p>\n<p>\u201cThree Tune Tuesday\u201d is for music lovers and vintage enthusiasts alike, providing a rare glimpse into the past through the lens of a private collection that stands as a testament to the enduring power of music. Tune in weekly to rediscover the sounds that shaped generations, played as they were meant to be heard, on the machines that first brought them to the world\u2019s ears.<\/p>\n<\/div><\/div><\/div><\/div><div class=\"pp-podcast__content pod-content\"><div class=\"pp-podcast__single\"><div class=\"pp-podcast__player\"><div class=\"pp-player-episode\"><audio id=\"pp-podcast-6713-player\" preload=\"none\" class=\"pp-podcast-episode\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/op3.dev\/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396\/castopod.blindskeleton.one\/audio\/@threetunetuesday\/food-glorious-food.mp3\" \/><\/audio><\/div><\/div><div class=\"pod-content__episode episode-single\"><button class=\"episode-single__close\" aria-expanded=\"false\" aria-label=\"Close Single Episode\"><span class=\"btn-icon-wrap\"><svg class=\"icon icon-pp-x\" aria-hidden=\"true\" role=\"img\" focusable=\"false\"><use href=\"#icon-pp-x\" xlink:href=\"#icon-pp-x\"><\/use><\/svg><\/span><\/button><div class=\"episode-single__wrapper\"><div class=\"episode-single__header\"><div class=\"episode-single__title\">Food Glorious Food<\/div><div class=\"episode-single__author\"><span class=\"byname\">by<\/span><span class=\"single-author\">Boneapart and Yulia<\/span><\/div><\/div><div class=\"episode-single__description\"><p>A hundred years before \u201csupply chain\u201d became a household word, people were already singing about it. This week we dig into three records \u2014 1918 to 1926 \u2014 that capture the same anxieties making headlines today: a real worldwide banana shortage that became the biggest novelty hit of 1923 (\u201cYes! We Have No Bananas\u201d), a folk song about the boll weevil that devastated Southern cotton farming, recorded by none other than poet Carl Sandburg, and an early piece of regional food pride dressed up as a love song (\u201cEverything Is Peaches Down in Georgia\u201d) that turns out to be a genuine ancestor of today\u2019s \u201cshop local\u201d movement. The songs are silly. What\u2019s behind them isn\u2019t \u2014 and we talk honestly about both.<\/p><p>A heads-up: our recording of \u201cThe Boll Weevil\u201d includes a racial slur common to the period, which we discuss directly rather than skip past. We felt it was worth keeping in the conversation rather than out of it.<\/p><\/div><\/div><div class=\"ppjs__img-wrapper \"><div class=\"ppjs__img-btn-cover\"><img decoding=\"async\" class=\"ppjs__img-btn\" src=\"https:\/\/castopod.blindskeleton.one\/media\/podcasts\/threetunetuesday\/food-glorious-food_feed.png\" srcset=\"\" sizes=\"(max-width: 640px) 100vw, 300px\" alt=\"Food Glorious Food\"><\/div><div><span class=\"ppjs__img-btn-style\" style=\"display: block; width: 100%; padding-top: 100%\"><\/div><\/div><\/div><\/div><div class=\"pod-content__list episode-list\"><div class=\"episode-list__filters\"><div class=\"episode-list__search\"><label class=\"label-episode-search\"><span class=\"ppjs__offscreen\">Search Episodes<\/span><input type=\"text\" placeholder=\"Search Episodes\" title=\"Search Podcast Episodes\"\/><\/label><span class=\"episode-list__search-icon\"><svg class=\"icon icon-pp-search\" aria-hidden=\"true\" role=\"img\" focusable=\"false\"><use href=\"#icon-pp-search\" xlink:href=\"#icon-pp-search\"><\/use><\/svg><\/span><\/div><button class=\"episode-list__clear-search pod-button\"><svg class=\"icon icon-pp-x\" aria-hidden=\"true\" role=\"img\" focusable=\"false\"><use href=\"#icon-pp-x\" xlink:href=\"#icon-pp-x\"><\/use><\/svg><span class=\"ppjs__offscreen\">Clear Search<\/span><\/button><\/div><div class=\"episode-list__wrapper\">\n<div id=\"ppe-6713-1\" class=\"episode-list__entry pod-entry\" data-search-term=\"food glorious food\" data-cats=\"\">\n\t<div class=\"pod-entry__wrapper\">\n\t\t<div class=\"pod-entry__content\">\n\t\t\t<div class=\"pod-entry__title\">\n\t\t\t\t<a href=\"https:\/\/castopod.blindskeleton.one\/@threetunetuesday\/episodes\/food-glorious-food\">Food Glorious Food<\/a>\n\t\t\t<\/div>\n\t\t\t<div class=\"pod-entry__date\">September 1, 2026<\/div>\n\t\t\t\t\t\t\t<div class=\"pod-entry__author\">Boneapart and Yulia<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div id=\"ppe-6713-2\" class=\"episode-list__entry pod-entry\" data-search-term=\"the beach\" data-cats=\"\">\n\t<div class=\"pod-entry__wrapper\">\n\t\t<div class=\"pod-entry__content\">\n\t\t\t<div class=\"pod-entry__title\">\n\t\t\t\t<a href=\"https:\/\/castopod.blindskeleton.one\/@threetunetuesday\/episodes\/the-beach\">The Beach<\/a>\n\t\t\t<\/div>\n\t\t\t<div class=\"pod-entry__date\">August 25, 2026<\/div>\n\t\t\t\t\t\t\t<div class=\"pod-entry__author\">Boneapart and Yulia<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div id=\"ppe-6713-3\" class=\"episode-list__entry pod-entry\" data-search-term=\"musical interpretations\" data-cats=\"\">\n\t<div class=\"pod-entry__wrapper\">\n\t\t<div class=\"pod-entry__content\">\n\t\t\t<div class=\"pod-entry__title\">\n\t\t\t\t<a href=\"https:\/\/castopod.blindskeleton.one\/@threetunetuesday\/episodes\/musical-interpretations\">Musical Interpretations<\/a>\n\t\t\t<\/div>\n\t\t\t<div class=\"pod-entry__date\">August 18, 2026<\/div>\n\t\t\t\t\t\t\t<div class=\"pod-entry__author\">Boneapart and Yulia<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div id=\"ppe-6713-4\" class=\"episode-list__entry pod-entry\" data-search-term=\"schubert\" data-cats=\"\">\n\t<div class=\"pod-entry__wrapper\">\n\t\t<div class=\"pod-entry__content\">\n\t\t\t<div class=\"pod-entry__title\">\n\t\t\t\t<a href=\"https:\/\/castopod.blindskeleton.one\/@threetunetuesday\/episodes\/schubert\">Schubert<\/a>\n\t\t\t<\/div>\n\t\t\t<div class=\"pod-entry__date\">August 11, 2026<\/div>\n\t\t\t\t\t\t\t<div class=\"pod-entry__author\">Boneapart and Yulia<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div id=\"ppe-6713-5\" class=\"episode-list__entry pod-entry\" data-search-term=\"strike!\" data-cats=\"\">\n\t<div class=\"pod-entry__wrapper\">\n\t\t<div class=\"pod-entry__content\">\n\t\t\t<div class=\"pod-entry__title\">\n\t\t\t\t<a href=\"https:\/\/castopod.blindskeleton.one\/@threetunetuesday\/episodes\/strike\">Strike!<\/a>\n\t\t\t<\/div>\n\t\t\t<div class=\"pod-entry__date\">August 4, 2026<\/div>\n\t\t\t\t\t\t\t<div class=\"pod-entry__author\">Boneapart and Yulia<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div id=\"ppe-6713-6\" class=\"episode-list__entry pod-entry\" data-search-term=\"empire\" data-cats=\"\">\n\t<div class=\"pod-entry__wrapper\">\n\t\t<div class=\"pod-entry__content\">\n\t\t\t<div class=\"pod-entry__title\">\n\t\t\t\t<a href=\"https:\/\/castopod.blindskeleton.one\/@threetunetuesday\/episodes\/empire\">Empire<\/a>\n\t\t\t<\/div>\n\t\t\t<div class=\"pod-entry__date\">July 28, 2026<\/div>\n\t\t\t\t\t\t\t<div class=\"pod-entry__author\">Boneapart and Yulia<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div id=\"ppe-6713-7\" class=\"episode-list__entry pod-entry\" data-search-term=\"languages\" data-cats=\"\">\n\t<div class=\"pod-entry__wrapper\">\n\t\t<div class=\"pod-entry__content\">\n\t\t\t<div class=\"pod-entry__title\">\n\t\t\t\t<a href=\"https:\/\/castopod.blindskeleton.one\/@threetunetuesday\/episodes\/languages\">Languages<\/a>\n\t\t\t<\/div>\n\t\t\t<div class=\"pod-entry__date\">July 25, 2026<\/div>\n\t\t\t\t\t\t\t<div class=\"pod-entry__author\">Boneapart and Yulia<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div id=\"ppe-6713-8\" class=\"episode-list__entry pod-entry\" data-search-term=\"discovery and gold\" data-cats=\"\">\n\t<div class=\"pod-entry__wrapper\">\n\t\t<div class=\"pod-entry__content\">\n\t\t\t<div class=\"pod-entry__title\">\n\t\t\t\t<a href=\"https:\/\/castopod.blindskeleton.one\/@threetunetuesday\/episodes\/discovery-and-gold\">Discovery and Gold<\/a>\n\t\t\t<\/div>\n\t\t\t<div class=\"pod-entry__date\">July 14, 2026<\/div>\n\t\t\t\t\t\t\t<div class=\"pod-entry__author\">Boneapart and Yulia<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div id=\"ppe-6713-9\" class=\"episode-list__entry pod-entry\" data-search-term=\"the american revolution\" data-cats=\"\">\n\t<div class=\"pod-entry__wrapper\">\n\t\t<div class=\"pod-entry__content\">\n\t\t\t<div class=\"pod-entry__title\">\n\t\t\t\t<a href=\"https:\/\/castopod.blindskeleton.one\/@threetunetuesday\/episodes\/the-american-revolution\">The American Revolution<\/a>\n\t\t\t<\/div>\n\t\t\t<div class=\"pod-entry__date\">July 7, 2026<\/div>\n\t\t\t\t\t\t\t<div class=\"pod-entry__author\">Boneapart and Yulia<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div id=\"ppe-6713-10\" class=\"episode-list__entry pod-entry\" data-search-term=\"first times\" data-cats=\"\">\n\t<div class=\"pod-entry__wrapper\">\n\t\t<div class=\"pod-entry__content\">\n\t\t\t<div class=\"pod-entry__title\">\n\t\t\t\t<a href=\"https:\/\/castopod.blindskeleton.one\/@threetunetuesday\/episodes\/first-times\">First Times<\/a>\n\t\t\t<\/div>\n\t\t\t<div class=\"pod-entry__date\">June 30, 2026<\/div>\n\t\t\t\t\t\t\t<div class=\"pod-entry__author\">Boneapart and Yulia<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n<div class=\"lm-button-wrapper\"><button class=\"episode-list__load-more\"><span>Load More<\/span><\/button><\/div><div class=\"episode-list__search-results episode-search\"><span class=\"ppjs__offscreen\">Search Results placeholder<\/span><\/div><\/div><\/div><div class=\"ppjs__list-reveal\"><div class=\"ppjs__button\"><button class=\"pp-prev-btn\"><span class=\"ppjs__offscreen\">Previous Episode<\/span><span class=\"btn-icon-wrap\"><svg class=\"icon icon-pp-previous\" aria-hidden=\"true\" role=\"img\" focusable=\"false\"><use href=\"#icon-pp-previous\" xlink:href=\"#icon-pp-previous\"><\/use><\/svg><\/span><\/button><\/div><div class=\"ppjs__button\"><button class=\"pp-list-btn\"><span class=\"ppjs__offscreen\">Show Episodes List<\/span><span class=\"btn-icon-wrap\"><svg class=\"icon icon-pp-show-list\" aria-hidden=\"true\" role=\"img\" focusable=\"false\"><use href=\"#icon-pp-show-list\" xlink:href=\"#icon-pp-show-list\"><\/use><\/svg><svg class=\"icon icon-pp-hide-list\" aria-hidden=\"true\" role=\"img\" focusable=\"false\"><use href=\"#icon-pp-hide-list\" xlink:href=\"#icon-pp-hide-list\"><\/use><\/svg><\/span><\/button><\/div><div class=\"ppjs__button\"><button class=\"pp-next-btn\"><span class=\"ppjs__offscreen\">Next Episode<\/span><span class=\"btn-icon-wrap\"><svg class=\"icon icon-pp-next\" aria-hidden=\"true\" role=\"img\" focusable=\"false\"><use href=\"#icon-pp-next\" xlink:href=\"#icon-pp-next\"><\/use><\/svg><\/span><\/button><\/div><\/div><\/div><\/div><div class=\"pod-content__launcher pod-launch\"><button class=\"pod-launch__button pod-launch__info pod-button\" aria-expanded=\"false\"><span class=\"ppjs__offscreen\">Show Podcast Information<\/span><span class=\"btn-icon-wrap\"><svg class=\"icon icon-pp-podcast\" aria-hidden=\"true\" role=\"img\" focusable=\"false\"><use href=\"#icon-pp-podcast\" xlink:href=\"#icon-pp-podcast\"><\/use><\/svg><svg class=\"icon icon-pp-x\" aria-hidden=\"true\" role=\"img\" focusable=\"false\"><use href=\"#icon-pp-x\" xlink:href=\"#icon-pp-x\"><\/use><\/svg><\/span><\/button><\/div><\/div>\n<p><!-- wp:heading --><\/p>\n<h2 class=\"wp-block-heading\">Our Specials<\/h2>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:html --><br \/><iframe style=\"width: 100%;\" src=\"https:\/\/player.hubhopper.com\/WyJodHRwczovL2ZlZWRzLmh1YmhvcHBlci5jb20vNmE2ZTM3MjJkNjNlYjkzZTk5Njg1Nzc2NGZkMDkwYjQucnNzIix0cnVlLGZhbHNlLGZhbHNlLG51bGwsIiM0RjQ2RTUiLCJkZWZhdWx0IiwiZGVmYXVsdCJd?format=2&amp;lastUpdated=1734705858\" height=\"578px\"><\/iframe><br \/><!-- \/wp:html --><\/p>","protected":false},"excerpt":{"rendered":"<p>Welcome to Three Tune Tuesday A Journey into the Soundtrack of the Past &nbsp; Why Three Tune Tuesday? Because it\u2019s more than nostalgia\u2014it\u2019s a time machine. By listening closely to these century-old voices, we rediscover the roots of today\u2019s music and the stories of the people who sang them. Each crackle and hiss carries history: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2353","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blindskeleton.one\/index.php?rest_route=\/wp\/v2\/pages\/2353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blindskeleton.one\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blindskeleton.one\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blindskeleton.one\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blindskeleton.one\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2353"}],"version-history":[{"count":0,"href":"https:\/\/blindskeleton.one\/index.php?rest_route=\/wp\/v2\/pages\/2353\/revisions"}],"wp:attachment":[{"href":"https:\/\/blindskeleton.one\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}